I’m so happy you’re here

I’ve always been a visual thinker. Long before I ever called myself an illustrator, I was the girl sketching ideas in the margins—then studying interior design, where architectural renderings were mandatory and storytelling through space was the whole point. That training shaped how I still work today: start with the concept, notice what matters, then build something people can feel—whether it’s a hotel experience, a brand world, or a single illustration that says more than a paragraph ever could.

These days, my illustration work lives in two complementary lanes. One is colorful and whimsical—loose, editorial-style sketches, mood boards, and visual notes that capture everyday life with charm or fantasy. The other is softer and more refined: fashion drawings with quieter tones, clean lines, and that “magazine moment” restraint. Different energy, same obsession: translating atmosphere into something you can see.

I don’t sketch live, though I’m asked frequently to do so. Hopefully, with some practice, I’ll start offering live, in-person illustrations for your special events.